![The Pilgrim's Progress. With Watercolour Illustrations by William Blake. Introduction by Nathalie Colle. Notes by Roger Pooley. 750 COPIES WERE PRINTED by BUNYAN John: (2020) | Island Books The Pilgrim's Progress. With Watercolour Illustrations by William Blake. Introduction by Nathalie Colle. Notes by Roger Pooley. 750 COPIES WERE PRINTED by BUNYAN John: (2020) | Island Books](https://pictures.abebooks.com/inventory/31192480370.jpg)
The Pilgrim's Progress. With Watercolour Illustrations by William Blake. Introduction by Nathalie Colle. Notes by Roger Pooley. 750 COPIES WERE PRINTED by BUNYAN John: (2020) | Island Books
![Melrose, Print made by William Miller, 1796–1882, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine- collé - SuperStock Melrose, Print made by William Miller, 1796–1882, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine- collé - SuperStock](https://cdn.superstock.com/4443/Comp/4443-19594083.webp)
Melrose, Print made by William Miller, 1796–1882, British, after Joseph Mallord William Turner, 1775–1851, British, 1834, Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine- collé - SuperStock
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William Finden, 1787–1852, British, Cupid and Psyche, 1834. Line engraving on thick, slightly textured, cream, wove paper, with cream, chine colle Stock Photo - Alamy
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William Miller, 1796–1882, British, Marly, 1831. Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray chine colle Stock Photo - Alamy
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